Made in Abyss was actually the perfect sequence of the autumn (and possibly the yr, we’ll see) for me. However Yofukashi no Uta was probably the most private. It linked with me in a really direct method, to the purpose the place I felt as if it had been talking straight to me. Not actually in fact, however when that feeling hits you it’s a telltale signal that your life expertise and the author’s have quite a lot of overlap. That’s why Hatsuka’s dialog with Kou (the important thing scene of the episode to make sure) was so satirically related for me.
Hatsuka was the final of the launched forged to get a significant half within the narrative, but it surely actually turned out to be a important one. Whereas the “Boku” on the finish of final week’s episode was successfully the reveal, there have been just a few hints dropped from the beginning that he was totally different from the opposite vampires we’d met. By way of Hatsuka we see one more aspect to the vampire expertise, and it’s maybe one which’s nearer to the preconceived thought of vampires. His residence (the place he takes Kou to cover from the cops) is stuffed with “followers” (two girls and a person) he’s turned. They appear to be in love with him, true – however in an obsessive method that speaks of one thing greater than typical romantic love.
Hatsuka does greater than shelter Kou from the rozzers – he takes on a kind of vampire mentor position, although Kou is fairly hesitant concerning the state of affairs when he sees Hatsuka get out of the bathe and has his expectations (and solely these) blown. This dialog begins with a beautiful transition shot of Hatsuka having no reflection within the image window (this will likely have been greater than directorial grandstanding) and by no means lets up. When Kou tells him he’s reconsidering his future, Hatsuka reminds him of what would possibly occur if he does – not simply to him, however to Nazuna.
Hatsuka provides Kou a deal – since he’ll doubtless by no means fall for Naz, why not be turned by Hatsuka and save her from Niko’s wrath? He reveals that he’s not “good” just like the others, and might “idiot Kou’s thoughts” into considering he’s in love with him. His argument is an enchanting one – as a fellow bro, he’s the one one of many group that may perceive how Kou feels. Kou resists – not as a result of Hatsu is a man (“you will have a cute face”) however as a result of he stays true to Nazuna, whether or not in love along with her or not. Kou’s rejoinder to Hatsu’s argument is equally fascinating – it’s not a gender factor, he simply doesn’t perceive anyone. And neither does anybody else.
This query of whether or not Kou is able to falling for anybody – and whether or not not with the ability to would imply he’s damaged – cuts to the guts of Name of the Night time as a lot as any single theme. I might argue that the sequence is arguing it doesn’t matter – romantic love is overrated, and friendship and loyalty are greater than highly effective sufficient to get an individual by means of life. I’m undecided what was occurring with Kou right here – in case you look intently his reflection within the window appears fainter on the finish of his dialog with Hatsuka, and with the ability to leap off an overpass and escape unhurt is fairly extraordinary. I’ve argued all alongside that Kou accepting who he’s could be a extra novel strategy than his studying the right way to be in love – but when we’re going within the latter course, the gross sales job is wanting fairly convincing.
From the opposite perspective, we do study a minimum of that Nazuna is loyal to Kou. She could also be hooked on the style of his candy younger blood, however this goes deeper than that. She volunteers to be the one to take no matter punishment Niko plans to dish out if it means saving Kou, although in fact Niko is all bluster (on this occasion a minimum of). Nazuna is only a lonely and bored everlasting teenager, and in Kou she finds one thing like a kindred spirit. I feel it’s truthful to say at this level that she’s nearer to falling in love with him than the opposite method round.
It was most likely unavoidable that this episode could be involved principally with plot – it’s the finale, in any case. However it manages to remain linked to what the sequence has been for many of its run, and in that I’ve to name it a profitable conclusion. I feel what folks like Kou and Nazuna are actually searching for, in the long run, is somebody who accepts them as they’re. If which means “love”, nice – but it surely doesn’t must. Society is sort of a field that not everybody matches inside – so what of those who don’t? You retain wanting, as a result of someplace that field is on the market – you simply must hold looking out until you discover it. And if you do, it’s doubtless there can be others ready for you who bought there first.
I’ve mentioned it earlier than, I’ll say it once more – vampires are all the time metaphorical. It’s fairly clear what they signify right here, and it’s really a quite welcoming kind of message to ship out. Yofakushi no Uta has so much to supply anyone who loves good anime, however I feel in case you’re a kind of folks it’s talking to, it’s particularly resonant. I give quite a lot of credit score to director Itamura Tomoyuki (who appears to have turn out to be one thing of a vampire specialist). Time after time to knocked it out of the park with arresting imagery, and the sequence did a wonderful job of constructing the world of the evening come alive. For me Itamura’s extremely stylized strategy meshed higher with this sequence than Vanitas no Carte (which was in itself extra good than dangerous on that rating).
What subsequent? Nicely. we’ve actually been down this highway earlier than. I’ve much less sense of disappointment right here than with Ao Ashi, as a result of it all the time appeared unlikely we’d get an instantaneous sequel announcement. It nonetheless could occur – Yofukashi has seen a significant manga gross sales bump and usually been well-received by followers – however I’m hopeful quite than optimistic (particularly with Urusei Yatsura and Rurouni Kenshin prone to monopolize NoitaminA for a minimum of a yr, except it reverts to an hour-long format sooner or later). If that is the top of the anime, it goes out on a powerful word – a declaration of what’s nonetheless to return that additionally manages to go away the protagonists at what seems like the top of a totally realized story, all of the whereas staying true to itself.